image dimensions : 1200 x 760
Puss in Boots (Picture 3)
Three. Puss in Boots, cartoon, images, gallery, wallpaper, widescreen, Paramount Pictures, animated, movie, cat, Funny, picture, photo.
Puss in Boots is one of my favorite characters in the Shrek series. Giving him a stand alone film is an interesting idea. It's suppose to be cool and exciting. It get what it wants. The movie is fun and often hilarious. The cat jokes are clever. Bunch of impressive scenes. The 3D is great. The scale is large. But the plot is too small for its large scale. It gets lazy in the second half and a bit predictable in the end. Though the film is pretty enjoyable but it could have been a lot better. Puss In Boots starts in a solid blockbuster way. And one part of the beginning, the dancing, is very impressive. It's more than funny. That scene excites me which gives me a feeling that this film will be very great. I don't know why but it's just my feeling. The first half is exciting and great to introduce the cat hero. But when it comes to the second half(after the flashback), it's large but the story has a very little plot. It's a big adventure but ends up a little bit unsatisfying. The story is like what Dreamworks Animated films usually do. Flashbacks of these critters when they were babies. They grew up being themselves. The rest of the story of Puss In Boots is Jack in the Beanstalk with Puss in Boots and Humpty Dumpty. It's not faithful to the original story. It's just another fairytale collaboration but this one has Mexican culture. The problem is the laziness of the storytelling. They mixed all the fairytale stories and threw some heart. These things are collaborated and nothing else. It's close to Direct-to-Video type of storytelling since this film was originally planned to be that. But the film is never meant to be in the small screen since the scale is large. The movie is in 3D, as usual. The 3D is great. Just like Megamind, the camera is flying again. Swashbuckling cats and a lot giant stuff. The humor is clever. The natural instincts of cats are used as a joke. Like drinking milk, chasing a light, and some meows. It's adorable. The "Ooooh" cat is the "Do the roar" kid of this film. Here's the thing, cats are adorable and their instincts are funny. In the end, it's just like Monsters Vs. Aliens and Shark Tale. But this has its heart but it's not well executed. It's still enjoyable to watch in the big screen and 3D. The filmmaking is good enough and everything is large. It just needs to make the story better. The film has ambitions for a sequel. Well I got to admit, it really needs a sequel because this adventure is not quite satisfying. More adventures to this kitty cat could be fun. Again, this film is fun but it won't blow your mind or touch your heart too much. Perrault's "The Master Cat, or Puss in Boots" is the most renowned tale in all of Western folklore of the animal as helper. However, the trickster cat was not Perrault's invention. Centuries before the publication of Perrault's tale, Somadeva, a Kashmir Brahmin, assembled a vast collection of Indian folk tales called Kathā Sarit Sāgara (lit. "The ocean of the streams of stories") that featured stock fairy tale characters and trappings such as invincible swords, vessels that replenish their contents, and helpful animals. In the Panchatantra (lit. "Five Principles"), a collection of Hindu tales from the fifth century A.D., a tale follows a cat who fares much less well than Perrault's Puss as he attempts to make his fortune in a king's palace. In 1553, "Costantino Fortunato", a tale similar to "Le Maistre Chat", was published in Venice in Giovanni Francesco Straparola's Le Piacevoli Notti (lit. The Facetious Nights of Straparola),[9] the first European storybook to include fairy tales. In Straparola's tale however, the poor young man is the son of a Bohemian woman, the cat is a fairy in disguise, the princess is named Elisetta, and the castle belongs not to an ogre but to a lord who conveniently perishes in an accident. The poor young man eventually becomes King of Bohemia. An edition of Straparola was published in France in 1560. The abundance of oral versions after Straparola's tale may indicate an oral source to the tale; it also is possible Straparola invented the story. In 1634, another tale with a trickster cat as hero was published in Giambattista Basile's collection Pentamerone although neither the collection nor the tale were published in France during Perrault's lifetime. In Basile, the lad is a beggar boy called Gagliuso (sometimes Cagliuso) whose fortunes are achieved in a manner similar to Perrault's Puss. However, the tale ends with Cagliuso, in gratitude to the cat, promising the feline a gold coffin upon his death. Three days later, the cat decides to test Gagliuso by pretending to be dead and is mortified to hear Gagliuso tell his wife to take the dead cat by its paws and throw it out the window. The cat leaps up, demanding to know whether this was his promised reward for helping the beggar boy to a better life. The cat then rushes away, leaving his master to fend for himself.[9] In another rendition, the cat performs acts of bravery, then a fairy comes and turns him to his normal state to be with other cats.
Three. Puss in Boots, cartoon, images, gallery, wallpaper, widescreen, Paramount Pictures, animated, movie, cat, Funny, picture, photo.
Puss in Boots is one of my favorite characters in the Shrek series. Giving him a stand alone film is an interesting idea. It's suppose to be cool and exciting. It get what it wants. The movie is fun and often hilarious. The cat jokes are clever. Bunch of impressive scenes. The 3D is great. The scale is large. But the plot is too small for its large scale. It gets lazy in the second half and a bit predictable in the end. Though the film is pretty enjoyable but it could have been a lot better. Puss In Boots starts in a solid blockbuster way. And one part of the beginning, the dancing, is very impressive. It's more than funny. That scene excites me which gives me a feeling that this film will be very great. I don't know why but it's just my feeling. The first half is exciting and great to introduce the cat hero. But when it comes to the second half(after the flashback), it's large but the story has a very little plot. It's a big adventure but ends up a little bit unsatisfying. The story is like what Dreamworks Animated films usually do. Flashbacks of these critters when they were babies. They grew up being themselves. The rest of the story of Puss In Boots is Jack in the Beanstalk with Puss in Boots and Humpty Dumpty. It's not faithful to the original story. It's just another fairytale collaboration but this one has Mexican culture. The problem is the laziness of the storytelling. They mixed all the fairytale stories and threw some heart. These things are collaborated and nothing else. It's close to Direct-to-Video type of storytelling since this film was originally planned to be that. But the film is never meant to be in the small screen since the scale is large. The movie is in 3D, as usual. The 3D is great. Just like Megamind, the camera is flying again. Swashbuckling cats and a lot giant stuff. The humor is clever. The natural instincts of cats are used as a joke. Like drinking milk, chasing a light, and some meows. It's adorable. The "Ooooh" cat is the "Do the roar" kid of this film. Here's the thing, cats are adorable and their instincts are funny. In the end, it's just like Monsters Vs. Aliens and Shark Tale. But this has its heart but it's not well executed. It's still enjoyable to watch in the big screen and 3D. The filmmaking is good enough and everything is large. It just needs to make the story better. The film has ambitions for a sequel. Well I got to admit, it really needs a sequel because this adventure is not quite satisfying. More adventures to this kitty cat could be fun. Again, this film is fun but it won't blow your mind or touch your heart too much. Perrault's "The Master Cat, or Puss in Boots" is the most renowned tale in all of Western folklore of the animal as helper. However, the trickster cat was not Perrault's invention. Centuries before the publication of Perrault's tale, Somadeva, a Kashmir Brahmin, assembled a vast collection of Indian folk tales called Kathā Sarit Sāgara (lit. "The ocean of the streams of stories") that featured stock fairy tale characters and trappings such as invincible swords, vessels that replenish their contents, and helpful animals. In the Panchatantra (lit. "Five Principles"), a collection of Hindu tales from the fifth century A.D., a tale follows a cat who fares much less well than Perrault's Puss as he attempts to make his fortune in a king's palace. In 1553, "Costantino Fortunato", a tale similar to "Le Maistre Chat", was published in Venice in Giovanni Francesco Straparola's Le Piacevoli Notti (lit. The Facetious Nights of Straparola),[9] the first European storybook to include fairy tales. In Straparola's tale however, the poor young man is the son of a Bohemian woman, the cat is a fairy in disguise, the princess is named Elisetta, and the castle belongs not to an ogre but to a lord who conveniently perishes in an accident. The poor young man eventually becomes King of Bohemia. An edition of Straparola was published in France in 1560. The abundance of oral versions after Straparola's tale may indicate an oral source to the tale; it also is possible Straparola invented the story. In 1634, another tale with a trickster cat as hero was published in Giambattista Basile's collection Pentamerone although neither the collection nor the tale were published in France during Perrault's lifetime. In Basile, the lad is a beggar boy called Gagliuso (sometimes Cagliuso) whose fortunes are achieved in a manner similar to Perrault's Puss. However, the tale ends with Cagliuso, in gratitude to the cat, promising the feline a gold coffin upon his death. Three days later, the cat decides to test Gagliuso by pretending to be dead and is mortified to hear Gagliuso tell his wife to take the dead cat by its paws and throw it out the window. The cat leaps up, demanding to know whether this was his promised reward for helping the beggar boy to a better life. The cat then rushes away, leaving his master to fend for himself.[9] In another rendition, the cat performs acts of bravery, then a fairy comes and turns him to his normal state to be with other cats.